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_cafe-de-anatolia-dubai-2023-dj-mix.webp "Tracklist: <br/>00:00:00 | 1.Dim Angelo, Maria Peidi, Cafe De Anatolia - Dle Yaman (Tebra Remix) <br/>00:06:03 | 2.HusnuCanMarley, Cafe De Anatolia - Dikita (Alexander Barabash Remix) <br/>00:11:10 | 3.Billy Esteban, Ghenwa Nemnom, Cafe De Anatolia - Mosaic (Yohan & David Remix) <br/>00:17:51 | 4.Charlie Spot, Cafe De Anatolia - Hacienda <br/>00:23:22 | 5.ZooL, Cafe De Anatolia - Organicus <br/>00:31:05 | 6.P A N, Slabo, Cafe De Anatolia - Very Simple <br/>00:37:50 | 7.Nandra, Cafe De Anatolia - Batushka <br/>00:44:50 | 8.Maxim Zatonski, pumbum, Studio Deep, Cafe De Anatolia - Voda <br/>00:50:40 | 9.Redspace, Cafe De Anatolia - Tartaria <br/>00:56:32 | 10.Billy Esteban, Stanisha, Cafe De Anatolia - Four Legs <br/><br/>➤ What is DUBAI?<br/>Dubai is a city and emirate in the United Arab Emirates known for luxury shopping, ultramodern architecture and a lively nightlife scene. Burj Khalifa, an 830m-tall tower, dominates the skyscraper-filled skyline. At its foot lies Dubai Fountain, with jets and lights choreographed to music. On artificial islands just offshore is Atlantis, The Palm, a resort with water and marine-animal parks.<br/><br/>➤ What is Cafe De Anatolia - DUBAI 2023 (DJ Mix)?<br/>DUBAI 2023 (DJ MIX) by Cafe De Anatolia is a compilation of finest Ethnic Deep House Music including tracks from Cafe De Anatolia, Rialians On Earth, Billy Esteban, Tebra, Dim Angelo, Ghenwa Nemnom, Nandra, ZooL, Redspace, etc...<br/>This compilation is dedicated to the beautiful city of Dubai. This is the MUSIC MIX that is played a lot in DUBAI. Enjoy the mix - DUBAI 2023")
_stepmom-1998-ain39t-no-mountain-high-enough-scene-6-10-124-movieclips.webp "Movieclips")
⏲ 3 minutes 8 seconds 👁 1.2M
_boy-have-sexual-relationship-with-his-step-mother-124-movie-title-normal-shorts.webp "Recaps101")
_shadows-of-judgment-reflection-on-humanity-and-ourselves.webp "Letras: Rogério S. de Oliveira<br/>Arte gráfica: Rogério S. de Oliveira<br/>Edição: Rogério S. de Oliveira<br/>Desenvolvimento e criação: Rogério S. de Oliveira<br/>Músicas criadas pela IA <br/>Imagem, do rosto envelhecido, gerada pela IA<br/>3007RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Shadows of Judgment<br/><br/>I look around and cannot see<br/>Humanity lost on the horizon<br/>Blinded by our own vision,<br/>We stray from reason, only confrontation<br/><br/>Beliefs that deny the truth<br/>Promote a world in darkness<br/>When thinking differently is sin<br/>We judge without compassion<br/><br/>They use faith to justify wrong<br/>Subjectivity to legitimize evil<br/>Ethics and morals, distorted concepts<br/>In a scene so banal<br/><br/>In a broken mirror,<br/>Reflections of our disillusion<br/>We don't see the other,<br/>Only our own opinion<br/><br/>Let's open our eyes, break the chains<br/>Let love guide, be our seed<br/><br/>I look around and cannot see<br/>Humanity lost on the horizon<br/>Blinded by our own vision,<br/>We stray from reason, only confrontation<br/><br/>Beliefs that deny the truth<br/>Promote a world in darkness<br/>When thinking differently is sin<br/>We judge without compassion<br/><br/>They use faith to justify wrong<br/>Subjectivity to legitimize evil<br/>Ethics and morals, distorted concepts<br/>In a scene so banal<br/><br/>In a broken mirror,<br/>Reflections of our disillusion<br/>We don't see the other,<br/>Only our own opinion<br/><br/>Let's open our eyes, break the chains<br/><br/>I look around and cannot see<br/>Humanity lost on the horizon<br/>Blinded by our own vision,<br/>We stray from reason, only confrontation<br/><br/>Beliefs that deny the truth<br/>Promote a world in darkness<br/>When thinking differently is sin<br/>We judge without compassion<br/><br/>They use faith to justify wrong<br/>Subjectivity to legitimize evil<br/>Ethics and morals, distorted concepts<br/>In a scene so banal<br/><br/>In a broken mirror,<br/>Reflections of our disillusion<br/>We don't see the other,<br/>Only our own opinion<br/><br/>Let's open our eyes, break the chains…")
_my-stepmother-is-an-alien-1988-movie-bed-scene.webp "Franck Gauthier")
_he-fell-in-love-with-his-stepmother-and-was-inevitable.webp "Facts and Reflections")
_chains-of-reason-the-quest-for-empathy-and-understanding.webp "Letras: Rogério S. de Oliveira<br/>Arte gráfica: Rogério S. de Oliveira<br/>Edição: Rogério S. de Oliveira<br/>Desenvolvimento e criação: Rogério S. de Oliveira<br/>Músicas criadas pela IA <br/>Imagem, do rosto envelhecido, gerada pela IA<br/>3007RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Chains of Reason<br/><br/>I look around and cannot see<br/>Humanity lost on the horizon<br/>Blinded by our own vision,<br/>We stray from reason, only confrontation<br/><br/>Beliefs that deny the truth<br/>Promote a world in darkness<br/>When thinking differently is sin<br/>We judge without compassion<br/><br/>They use faith to justify wrong<br/>Subjectivity to legitimize evil<br/>Ethics and morals, distorted concepts<br/>In a scene so banal<br/><br/>In a broken mirror,<br/>Reflections of our disillusion<br/>We don't see the other,<br/>Only our own opinion<br/><br/>Let's open our eyes, break the chains<br/>Let love guide, be our seed<br/>For only in empathy do we find the solution<br/>To see humanity in every heart<br/>every heart...<br/><br/>I look around and cannot see<br/>Humanity lost on the horizon<br/>Blinded by our own vision,<br/>We stray from reason, only confrontation<br/><br/>Beliefs that deny the truth<br/>Promote a world in darkness<br/>When thinking differently is sin<br/>We judge without compassion<br/><br/>They use faith to justify wrong<br/>Subjectivity to legitimize evil<br/>Ethics and morals, distorted concepts<br/>In a scene so banal<br/><br/>In a broken mirror,<br/>Reflections of our disillusion<br/>We don't see the other,<br/>Only our own opinion<br/><br/>Let's open our eyes, break the chains<br/>Let love guide, be our seed<br/>For only in empathy do we find the solution<br/>To see humanity in every heart<br/>every heart...<br/><br/>I look around and cannot see<br/>Humanity lost on the horizon<br/>Blinded by our own vision,<br/>We stray from reason, only confrontation<br/><br/>Beliefs that deny the truth<br/>Promote a world in darkness<br/>When thinking differently is sin<br/>We judge without compassion<br/><br/>They use faith to justify wrong<br/>Subjectivity to legitimize evil<br/>Ethics and morals, distorted concepts<br/>In a scene so banal<br/><br/>In a broken mirror,<br/>Reflections of our disillusion<br/>We don't see the other,<br/>Only our own opinion<br/><br/>Let's open our eyes, break the chains....")
_she-falls-in-love-with-her-soon-to-be-step-mom.webp "The PRIDE Diaries by Maris GT")
_stepmother-seduces-her-husband39s-son-in-movie.webp "MovieTime 1M")
_depth-of-field-explained--ultimate-guide-to-camera-focus-shot-list-ep-4-1080p-24fps-h264-128kbit-aac.webp "Depth of field might be one of the last considerations filmmakers make when creating a shot list. But that doesn’t mean it should be ignored. In this video essay, we’re going to look at camera basics like depth of field and how camera focus is used in visual storytelling. With deep depth of field, shallow depth of field, soft focus, rack focus, split diopter lens, and tilt shift lens, each brings a different perspective to your shots. This is Episode 4 of The Shot List: Depth of Field Explained.<br/><br/>Deep depth of field allows for action in the foreground, middle ground, and background; perfect for blocking and staging chaotic scenes like the opening shot of Gravity. Shallow depth of field helps to isolate subjects and guides the viewer’s eye with purpose and meaning — it’s also a great way to get that bokeh effect. Moonlight is full of shallow depth of field cinematography, bringing an extreme level of intimacy to the Chiron’s emotional journey. Soft focus can be used in dream sequences or flashbacks to give the cinematography a nostalgic glow, like Spielberg did throughout A.I. Artificial Intelligence. <br/><br/>A rack focus is a great way to use shallow depth of field to make connections between subjects without needing to cut. Often using a follow focus controller, the focus puller can achieve even the most complicated shots, like in Bong Joon-ho’s The Host. The split diopter lens is ideal when you want to isolate foreground and background subjects simultaneously. Auteurs like Brian De Palma and Quentin Tarantino use split diopter shots all the time, including some stellar examples in The Hateful Eight.<br/><br/>And, finally, we have the tilt shift lens. Tilt shift shots are rarely used in filmmaking because they can produce pretty radical images. In the Coen Brothers’ A Serious Man, cinematographer Roger Deakins was able to shoot the bar mitzvah scene by visualizing Danny’s marijuana-influenced perspective. <br/>Directing and cinematography are all about using images to tell a story. With camera focus and depth of field in your bag of tricks, there’s no limit to how much “depth” you can bring to your shot list.")
⏲ 14:54 ✓ 28-May-2024
_olderwomen-teenageboy-relationship-explained-by-adams-verses-124-olderwomen-teenagers.webp "Adam's Verses")
⏲ 4 minutes 19 seconds 👁 4.3M
_katies-mom-official-trailer-2023-dina-meyer.webp "BritFlicks")
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